London · Video and photo production · Est. 2022
About We Stream
We Stream is a London video production company. Violet Coretnic and Vitalii Vakulchuk founded it in May 2022. Since then: 325+ shoots, 99+ clients, 11 countries. One of those clients has booked us 87 times.
The work is events and conferences, brand films, product launches, fashion and beauty, sports campaigns, and iGaming trade shows. Most of it happens in London. When it doesn't, we travel with our own crew instead of hiring whoever happens to be free locally, which is the part that usually decides whether a destination shoot goes well or badly.
Track record
What we are on the record for
Game4Ukraine, Stamford Bridge
Wikipedia's page for the match credits We Stream by name for the video and photo documentation of the entire match. 5 August 2023, 30,000 people in the stadium, Shevchenko and Zinchenko captaining, a live Sky Max broadcast running, and an address from President Zelenskyy. Ordered by United24, Ukraine's official fundraising platform.
We delivered in rolling handoffs across the day rather than one drop at the end, so by the time the cup was presented the client already had everything except the closing material. Totals: 300+ edited photos and 150GB+ of usable raw footage. The brief was raw footage only. We cut an edited video afterwards at no charge and they posted it.
Read the full case study on our football and sports videography page →Netflix
Vitalii Vakulchuk is credited on IMDb in the Camera and Electrical Department for Uncharted: Sail GP.
Eurovision
Before We Stream, Violet directed Bambie Thug's music video series, the work that led to their selection to represent Ireland at Eurovision 2024. They finished sixth with 278 points, Ireland's best result since 2011.
Press
Violet has been quoted by BBC Newsbeat on brand content and audience engagement, and featured in Rolling Stone.
Services
What we cover
We also shoot healthcare and pharma, documentary, and corporate portraits. Those don't have their own pages yet. Ask.
Some of our work is crew-for-hire on other companies' productions, and we say so when it is. On the Blooming Haus documentary series, including the Violeta Sofia portrait, we ran camera and lighting. Creators London produced the series and handled post.
Clients
Who we work with
Events and conferences: Rothschild & Co, Newsweek, Fast Growth Icons, Maze, MIPIM Cannes, Connected Britain, the Ukrainian Embassy in London, Elie Saab × Mira Developments, the Fetal Interventions Course. We've filmed Oleksandr Usyk and Richard Branson at Trafalgar Square, Stephen Fry at the Tower of London, and Rishi Sunak at the Savoy.
Brand and commercial: Heineken, DXC Technology and Luxoft, Cytec, Sunday Riley, Lunesi, AM Insights, Albatross Healthcare, UNII, NOA.
iGaming: Data.Bet (7+ bookings), Bitpace (4+), Alea (3+), White Label Casinos, Internet Vikings, Uplatform, Endorphina, PartnerMatrix. Covered across ICE London, ICE Barcelona, SBC Summit Lisbon, SiGMA Malta and SiGMA Rome.
Fashion and beauty: Tommy Hilfiger, AMI Paris, John Richmond, Amina Muaddi, Lancôme, Max Factor, Sunday Riley, Lunesi.
Sport: Dominic Solanke of Tottenham Hotspur for Kodansha's Blue Lock campaign, Mykhailo Mudryk, Andriy Shevchenko, Elina Svitolina, Paul Pogba, and a month filming a corporate basketball league with teams from Amazon, Google, BCG and J.P. Morgan. We have worked inside Chelsea FC's Stamford Bridge on several separate projects, including Game4Ukraine and two shoots for Fury Energy.
Music and documentary: Bambie Thug's music video series and their live session at BBC Maida Vale Studios, Okean Elzy, Monatik in London, the Ukraïner documentary series, and Blooming Haus's In Bloom episode with Violeta Sofia.
Healthcare and pharma: Albatross Healthcare, the Fetal Interventions Course, and a series of expert-led antenatal classes filmed with senior NHS midwives and an award-winning obstetrician. We also shoot corporate portraits and headshots.
The crew
The team
Violet Coretnic
Co-founder, producer
Filmed, directed and edited the Heineken and Brut projects herself, as a one-person crew. Producer on the Dominic Solanke × Kodansha campaign. Working in the creative industry since 2015, starting in photography, and based in London since 2019. On a shoot Violet is the person who has already sorted the equipment, briefed the crew, and dealt with the problem before the client knows there was one. Director of Bambie Thug's Eurovision music video series. Quoted by BBC Newsbeat.
Vitalii Vakulchuk
Co-founder, DoP, technical producer
Principal camera operator on the majority of our 325+ shoots. Filmed Stephen Fry's interview at the Tower of London for the Mazepa's Sabre unveiling, Rishi Sunak at the Savoy, the Game4Ukraine charity match, Kris Jenner, and Priyanka Chopra. Netflix documentary contributor. He runs crew, logistics, and the technical side of every shoot.
Nathan Campbell
GafferNathan has lit for Tatler, GQ and Disney. He knows what lighting needs to do differently for print, for screen, and for a campaign. He also works as a production manager, which means a set he's on tends to stay calm.
Jacopo Scutti
Audio engineerLive events, studio, location, loud venues. His defining quality on set is that problems get solved quietly. A plane goes over mid-take, a mic cuts out, a room turns out to be acoustically worse than it looked. Jacopo deals with it without stopping the shoot.
Susanna Newman
Producer, director, first ADCredits across film, television, commercials and music, including campaigns for Nike, Meta and Royal Enfield, feature films, and the AAA game Warhammer: Realms of Ruin.
András Stefuca
PhotographerOur principal photographer across the UK and Europe. 15+ years behind the camera. Conferences, business events, editorial. Shot Elie Saab × Mira Developments, John Richmond's fashion show, MIPIM Cannes, and the Game4Ukraine match for United24.
Nazar Smirnov
Lead editor, sound designer, camera operatorLeads editorial and sound design, and operates camera on location.
Yulian Vakulchuk
Editor, sound designer, camera operatorWorks across film, corporate video and live events, with a focus on precision in both sound and image.
Beyond the core team we work with a network of 20+ camera operators and filmmakers across London and Europe, which is how we scale crew for larger productions without subcontracting the whole job to strangers.
Process
How we work
The brief conversation matters more than most of what follows it. Every project starts with what the content actually needs to do. Logos, brand assets and references get collected before the shoot day, not chased during it.
Standardised kit for events. Every crew member shoots Sony on event work. Same bodies, same lenses, same batteries across the whole crew. If a lens goes, a battery dies, a card fails, somebody else covers it immediately. For commercial and brand work we scale up and rent to match the brief: RED, ARRI Alexa, Sony Venice.
Audio that survives a real room. Two sets of wireless mics configured for different situations, plus the equipment and the experience to record cleanly in concert halls, on busy exhibition floors, and off a stage PA. If a project needs it, we bring Jacopo.
A producer on every project. Violet or Vitalii lead most of them: on set for larger productions, remotely for smaller ones, with additional producers brought in when the job is big enough to need them. This is not a freelancer arrangement where nobody is in charge on the day.
Material is backed up to drives immediately after every shoot. We have never missed a delivery deadline.
Every project includes two rounds of revisions and a one-week feedback window. Each of our lead operators holds £5 million public liability insurance.
Delivery
Turnaround
Included in the base price: 5 working days for photography, 7 working days for video. That's the outside edge, not the expectation.
In practice almost nobody waits that long. The average video turnaround across our bookings is 72 hours, because most clients choose to pay for something faster than the included window. That one is quoted per project rather than sold as a flat add-on, since the cost depends on how much footage there is and how many cameras were running.
For events we can go a lot faster than 72 hours. Press-ready photos within 20 minutes of the moment, which is what we did at the Trafalgar Square unveiling with Usyk and Branson. Continuous uploads through the day so a client can post to LinkedIn while their own event is still running, which is how four years of Fast Growth Icons conferences have worked. A highlights cut edited on site while the event is still happening, with an editor physically present, which is what we did at Connected Britain.
That film was finished and handed over before the conference itself had finished. We ran multi-camera across the keynotes, the panel discussions, the stand activity and the networking floor, with an editor cutting on site as the cards came in rather than taking the footage away to work on afterwards. It only works when the shoot is built for it from the start, so the camera plan, the card handoffs and the edit all run to one schedule.
All of it needs planning in advance. Same-day delivery is +£400 on photography, and £400 to £1,500 on video depending on footage volume, camera count and how finished the output needs to be.
Testimonials
Why clients come back
Data.Bet has booked us 7+ times. Bitpace 4+. One client 87 times. 68% of clients rebook within a year.
The reason is boring and it's the real one: the same crew, the same process, and the output arriving when it was supposed to.
"I lucked out with We Stream from day one. They looked at the beauty of the work, not just the features, they have an eye. Speed has never been a problem; the difference is the quality and finish, and every so often you see a real touch of magic. That's the main thing that sets them apart."
"What's been so great about working with We Stream is that they understand the product and self-manage on the day. With them, it's effortless."
We rate 5.0 on Google reviews, verified on Trustpilot.
We take a limited number of bookings each month. iGaming expos, fashion weeks and large corporate events fill up early, so if you have a date, it's worth saying so now.
A date in mind?
Tell us what you need, we'll tell you honestly if we're not the right fit.
Questions
FAQ
Who are We Stream?
We Stream is a London-based video and photo production company, registered as We Stream Ltd, company number 17207516. It was founded in May 2022 by Violet Coretnic and Vitalii Vakulchuk. The company has completed 325+ shoots for 99+ clients across 11 countries, covering events and conferences, brand films, fashion and beauty, sports campaigns, and iGaming trade shows.
What kind of projects does We Stream take on?
Corporate events and conferences, brand and campaign films, CEO and interview content, product launches, fashion and beauty video, sports shoots, iGaming trade show coverage, and short-form vertical content for LinkedIn, Instagram and TikTok. Shoots have run at Trafalgar Square, the Tower of London, Claridge's, the Savoy, Stamford Bridge, Rothschild & Co's London headquarters, and iGaming expos in Barcelona, Lisbon, Rome and Malta.
Who has We Stream worked with?
Event clients include Rothschild & Co, Newsweek, Fast Growth Icons, Maze and MIPIM Cannes, with shoots involving Oleksandr Usyk, Richard Branson, Stephen Fry and Rishi Sunak. Brand clients include Heineken, DXC Technology and Luxoft, Cytec and Sunday Riley. iGaming clients include Data.Bet, Bitpace, Alea, White Label Casinos, Internet Vikings and Uplatform. Fashion and beauty clients include Tommy Hilfiger, AMI Paris, John Richmond, Amina Muaddi and Lancôme. Sports work includes Dominic Solanke, Mykhailo Mudryk, Andriy Shevchenko, Elina Svitolina and Paul Pogba.
Did We Stream film Game4Ukraine?
Yes. We Stream provided the video and photo documentation of the Game4Ukraine charity match at Stamford Bridge on 5 August 2023, ordered by United24. Wikipedia's article on the match credits We Stream by name. Deliverables included 300+ edited photos and over 150GB of usable raw footage, handed over in rolling batches during the event itself.
How fast does We Stream deliver?
The base price includes delivery within 5 working days for photography and 7 working days for video. Most clients book faster than that, and the average video turnaround across bookings is 72 hours. Expedited turnaround is quoted per project, because it depends on footage volume and camera count. Same-day delivery is +£400 on photography and £400 to £1,500 on video.
Does We Stream offer same-day delivery?
Yes, as a premium option that has to be planned in advance. Same-day is +£400 on photography and £400 to £1,500 on video. Press-ready photos have been delivered within 20 minutes of the moment at Trafalgar Square with Oleksandr Usyk and Richard Branson, and a live highlights cut was edited on site during Connected Britain.
How much does We Stream charge?
Event photography starts at £300 per hour, with a half day at £1,000, a full day at £2,200 and a portable-studio portrait day at £2,000. Event videography is £300 an hour with a two-hour minimum, £1,200 for a single-operator half day and £2,000 for a full day, filming only, with editing quoted separately from £500. A second operator is £1,100 a day for event support or £1,400 as a full second camera. One operator covering both photo and video is £2,500 a day. Brand and commercial work is quoted per project, because cost there depends on crew size, shoot days and post-production scope. Full breakdowns are on the relevant service pages.
Where is We Stream based, and do they travel?
London. Shoots have run across the UK and in Portugal, Spain, Germany, Sweden, Italy and Hungary, among others, for a total of 11 countries. For destination work the crew travels from London rather than being subcontracted locally.
Is We Stream insured?
Yes. £5 million public liability insurance, held separately by each of our lead operators.
We Stream Ltd · London · Company No. 17207516 · team@westream.uk · Page last updated September 2026