Your conference ends at 5pm and your CEO wants the highlight video up by 7pm. The photographer cancelled that morning. Nobody remembered to mic the keynote speaker until he was already on stage.
This is what we handle. We Stream is the event videographer London teams call for deadline-critical coverage - we film corporate events, conferences, exhibitions, and launches across London and beyond, from government announcements at The Savoy to three-day trade shows at London Olympia. Turnaround matches your media schedule, not ours.










Event coverage
This isn't an exception. It's how we work. Not a complete client list - ten documented cases across format, timeline and location. Want more? See the full portfolio →















What you actually get
We scout your venue when needed. For Cytec's corporate shoot, we flagged that their original location wouldn't work on camera, found a better one, and saved them £800 in the process. You get honest advice, not just a crew showing up on the day.
A full crew – producer, camera operators, gaffer, sound engineer, whatever the brief needs. At the Newsweek conference, a two-person team filmed every panel across three cameras while capturing a separate highlights edit at the same time, on a limited budget.
Same-day edited photos for your social channels – during a three-day IT conference in Berlin, we delivered continuous edited images so the client could post live on LinkedIn throughout. They've told us our output consistently outperforms other production companies they've used, engagement-wise. The final video follows within hours or days depending on your deadline. We've worked with some clients for over four years because we deliver what we promise, when we promise it.
Why speed matters
Post the highlight video while attendees are still talking about it and you extend its reach; wait three weeks and it's archive footage, not coverage.
Speed without quality is useless. Quality without speed often is too.
Recent proof IGB Live! – 2 days of filming for Alea became 2 social media reels and 1 highlight video, plus a same-day photo gallery for press and social.Case study – The Academy
We filmed a closed, premium event for The Academy in a fully darkened room, built to feel like the astronaut talk it was. Helen Sharman – the first British astronaut – spoke to a small group of distinguished guests, and we captured a short testimonial with her afterward: her own account of the experience, not a pitch to camera.
The brief ran 1.5 hours, shot vertical, in a room with no light source beyond the projector and presentation screen – uneven tones, difficult exposure across the frame. We shot on Sony bodies with high low-light sensitivity, at ISO 12,800 with an ND filter to keep the image clean against the screen's brightness.
In the final footage the darkness is barely noticeable, and the tone holds even throughout. The client edited in-house and was happy with what they had to work with.
iGaming events across Europe



Case study – Rebecca Vallance × Nicky Hilton
We filmed the London launch of Rebecca Vallance and Nicky Hilton's collection at Gaia, attended by Princess Beatrice among other high-profile guests. It wasn't a straightforward 'celebrity wears the brand' event, but coverage of a designer collaboration that grew out of a genuine customer relationship into a global capsule collection.
Coverage ran 20:00–22:00, with an overnight edit – the client posted the final video at 09:00 the next morning. We knew from the pre-production call that the venue spanned two floors, so we booked two videographers for it.
What we hadn't planned for was how dark the room actually was. We started on the usual fix – high ISO and ND filters – but Rebecca Vallance and Nicky Hilton didn't like how their faces looked in that read, and wanted the space bright instead. We pulled out the lighting kit we'd brought as backup, and one camera operator spent the rest of the evening running lights on guests' faces instead of filming. Not the look we'd have chosen, but it's what the client wanted, and it's the video that shipped by 9am.
Event Photography
Technical capabilities
We carry the gear, and we know how to run it under pressure, when a missed shot can't be redone. That's less about the equipment list and more about having done it enough times that nothing on-site is a surprise.
Pricing
Standard turnaround is 10 working days - same-day delivery is available for +£700-£1,000 on any booking.
Editing add-ons - highlight reels, hero/brand videos, social clips, vertical↔horizontal reformats - are priced per deliverable rather than bundled in. Get a quote → for the full breakdown.
What clients say
We needed same-day photos for LinkedIn coverage during a two-day event. We Stream delivered edited images continuously throughout. Our social engagement was 40% higher than our previous conference.
Highly professional, always on time, super creative – from capturing great angles to delivering beautifully edited final video recaps.
We Stream filmed the unveiling of Mazepa's Sabre at the Tower of London and delivered press-ready photos within minutes and a same-day highlights video. Their speed, calm approach, and ability to work under pressure made a real difference to our media coverage.
Geography and travel
Everywhere we've filmed so far – green marks a country we've actually worked in, not just flown over.
15countries filmed in, so far.
For events outside London we factor in travel time and cost; for international work, we always fly our own crew out, rather than sourcing local teams.
Next steps
Event date and location, coverage hours, what you need delivered and when, and whether you need photo, video, or both. We'll send a clear quote within 24 hours – and if we're not the right fit for your timeline or budget, we'll say so straight away rather than waste your time. No surprise invoices.
Questions
A single camera operator runs £1,100-£1,200 for a half-day and £1,500 for a full day, including raw footage and professional equipment. A combined photo + video booking with one operator is £1,700 for a full day, additional camera operators are £700/day, and multi-day coverage (video, photo, and edit) runs £8,500-£12,000 depending on scope.
Standard turnaround is 10 working days. Faster delivery is available - same-day for a +£700-£1,000 add-on - and we delivered press-ready photos 20 minutes after the Trafalgar Square Usyk/Branson unveiling with full video by evening, and DP World's Thames Freeport launch video within 5 hours, when the brief called for it.
An event videographer films corporate conferences, trade shows, product launches, and galas, providing multi-camera coverage, audio recording, and edited deliverables on a schedule matched to the client's media needs - same-day social content through to a polished highlight video.
Yes - standard turnaround is 10 working days, and same-day delivery is available as a +£700-£1,000 add-on on any booking, since it requires dedicated on-site editing infrastructure rather than standard post-event turnaround.
Yes - We Stream covers both from a single crew, which removes the coordination overhead of hiring two separate suppliers. At Fast Growth Icons' Claridge's event, that meant real-time LinkedIn photos throughout the day alongside a polished highlight video.
Common venues include Claridge's, The Savoy, London Olympia, ExCeL London, the Bvlgari Hotel, and the Tower of London. We Stream has filmed government announcements, multi-day trade shows, corporate conferences, and heritage exhibitions across Central London and beyond.
4-6 weeks ahead for major conferences and multi-day events is standard, allowing time for venue scouting and planning. Shorter-notice bookings are possible depending on crew availability.
Standard packages include pre-event venue scouting, multi-camera filming with professional audio, and an edited highlight video delivered to your timeline. Photography, drone footage, live streaming, and vertical social formats are available as add-ons.
Yes - We Stream works across the UK and internationally, with past coverage across Europe - including Lisbon, Rome, Berlin, and Stockholm - and as far as Brazil. We always fly our own crew out, rather than sourcing local teams.