Ongoing video partnerships, London
We Stream is a London video and photo production company that films events, interviews and social content for companies on a monthly retainer. One shoot day and six edited videos is £3,000 a month; two days and twelve videos is £5,500.
The producer and lead operator who filmed you last month film you next month, so nobody explains the brand again, the lighting matches across every video, and the library you build over a year looks like one company made it.
What a retainer costs
Every tier includes planning, filming, editing and delivery by the same team. Pick the one closest to how often you need content.
Tier One
£3,000
a month
Tier Two
£5,500
a month
Event-heavy quarter
−10%
off our event rates
Travel outside London is calculated by us and included in your quote, so there is nothing to add later. £5 million public liability insurance, held separately by each of our lead operators. VAT will be added where applicable. Single shoots and all other rates are on our prices page.
Is a retainer right for you
A retainer pays off once you need video most months of the year. If you film twice a year, single bookings are cheaper and we will tell you so.
Companies that run a podcast or YouTube show usually start from our per-episode prices and move to a retainer once the schedule is steady. If you would rather batch everything into one day a quarter, read how a quarterly content day works.
How a retainer month runs
The first month takes the most of your time: a kick-off call, brand guidelines, the people who will appear on camera. After that the routine below repeats every month.
A short call with your producer: what is happening this month, who is speaking, which formats you need. We send a shot list and a call sheet.
The shoot day at your office, a studio or your event. The same lead operator, lighting setup and camera settings as last time, so the footage matches.
First cuts inside 7 working days. You comment in one place, and we work through two rounds of revisions.
Final files in every shape you asked for: horizontal for the website and YouTube, vertical for Instagram, TikTok and LinkedIn, with subtitles burned in or as SRT files.
Who we film again and again
Some of these teams are on a monthly rhythm, others book us show by show. In both cases the same people turn up, which is the whole point.
Fast Growth Icons, founded by Uday Singh, runs invitation-only events for founders and chief executives of fast-growing companies. Over four years we have followed them to the Bvlgari Hotel and Claridge's in London, into Rothschild & Co's own building, and to Manchester, Stockholm and Berlin.
Each event runs two days. On both days the first batch of edited photos goes out around lunch, so guests can post while the event is still on, and video runs alongside with highlight films and attendee testimonials. Because we already know how the organiser wants the room to feel, panels are framed the same way in every city and the venue looks full even in quieter sessions.
Read the Fast Growth Icons case study or see the photos on our event photography page.
Luxoft, the technology services company, has booked us twice to film interviews with its experts, including a film made with Finastra on how banks use managed services.
Both sessions had a tight window for filming, and both times we recorded four to five interviews inside it. The set-up was agreed before the day, so each speaker sat down, had a quick sound check and started talking. The second session was lit and framed like the first, so the films sit together as one series.
Alea has booked us for six trade shows since 2025. The highlight films share one pace and one colour, so the stand reads as the same brand from Malta to Rome.
DATA.BET has had us on their stand at five shows since ICE London 2024. Their stand team already knows us, so each show starts with a short call instead of a full briefing.
For a presenter-led YouTube channel we filmed two to four times a month, and the channel's own team did the editing. We learned the presenter's best angle, when the teleprompter helped and which lights suited their space. The footage arrived with consistent exposure and colour, matching sound and organised b-roll, so every episode looked like the last one.
This is the filming-only version of a retainer. If you have an editor in-house, ask us to price it that way.
Side by side
| Booking shoot by shoot | Monthly retainer | |
|---|---|---|
| Crew | Chosen for each job | The same producer and lead operator every month |
| Briefing | A full brief before every shoot | One kick-off, then a short monthly call |
| Look | Can change from job to job | Same lighting, framing and grade each time |
| Dates | Subject to availability | Booked into the calendar each month |
| Price | Quoted per job from our rates | £3,000 or £5,500 a month, invoiced monthly |
| Commitment | None | Three months minimum |
Photos from repeat clients
Photographed by our team at Fast Growth Icons, Alea and DATA.BET events. Photography can be added to any shoot day; the rates are on our event photography page.







FAQ
At We Stream a retainer is £3,000 a month for one shoot day and six edited videos, or £5,500 a month for two shoot days and twelve edited videos. An event-heavy quarter is priced from our event rates minus 10%. The minimum is three months, invoiced monthly. VAT will be added where applicable.
Planning with a producer, the shoot days, editing and delivery in the formats you need, horizontal and vertical, with subtitles. Edits arrive inside 7 working days with two rounds of revisions. A producer works on every project, on set for larger shoots, remotely for smaller ones.
Unused days do not roll over to the next month. To avoid losing one, we agree your shoot dates with you at the start of each month.
Yes, three months, invoiced monthly. Unused shoot days do not roll over from one month to the next.
Yes. A shoot day can be an interview day at your office, a content day in a studio or a day at your conference. For a quarter with several events, we price an event-heavy quarter from our event rates minus 10% instead of the monthly tiers.
Yes. We filmed a YouTube channel two to four times a month while the channel's own team edited it. We hand over footage with consistent exposure and colour, matching sound and organised b-roll, so your editor can work quickly.
Standard delivery is inside 7 working days. A rush edit inside 48 hours is £400 extra, and a same-day recap at an event is £400, with an on-site editor from £1,200 a day for several pieces.
Yes. We have filmed retainer and repeat clients in Manchester, Berlin, Stockholm, Lisbon, Rome, Malta, Barcelona and São Paulo. Travel outside London is calculated by us and included in your quote, so there is nothing to add later.
Next
Send us the events, launches and messages you have planned for the next three months. We will suggest a tier and a calendar within 24 hours, and if single bookings would cost you less we will say so.
See how one shoot day becomes a series in the Cytec case study: seven executive interviews filmed in a single day.
Written by Violetta Coretnic, producer and co-founder at We Stream. Published , updated .
We Stream Ltd · London · No. 17207516
A date in mind?
We have a limited number of slots per month. iGaming expos, fashion weeks, and large-scale corporate events fill quickly.