Full-day match coverage
Video and photos of the whole day: arrivals, warm-up, the match, the crowd and the trophy, with footage handed over while the game is still on.
Game4Ukraine, Stamford Bridge, for United24
Sports videographer, London
We Stream is a London video and photo production company that films matches, leagues and athletes: Game4Ukraine at Stamford Bridge, Fury Energy's campaign with Chelsea FC, Parimatch with Chelsea and Leicester, and a corporate basketball league played by Amazon, Google, BCG and J.P. Morgan.
A single match with one operator and a highlight film starts at £1,400, and raw footage is included on all match work.



What we film
Live sport does not repeat, so the crew has to be in position before the moment arrives. That is the same whether the brief is a full match, a league, an athlete interview or a brand campaign at a stadium. For football clubs and matches there is a separate football page.
Video and photos of the whole day: arrivals, warm-up, the match, the crowd and the trophy, with footage handed over while the game is still on.
Game4Ukraine, Stamford Bridge, for United24
The same setup every game day: three cameras on the court, a portrait studio for teams, and raw footage back the same evening for stats.
Corporate Sports Leagues, corporate basketball
Behind-the-scenes and social content for sponsors working with clubs, planned around stadium access and players' time.
Fury Energy with Chelsea FC; Parimatch with Chelsea and Leicester
Interviews and short films with professional athletes, often with tight windows set by a club, an agent or a training schedule.
Paul Pogba for Brut; Dominic Solanke for Kodansha
Sports work, named and dated
What each job was and what we delivered. Where a date is missing, the client has not published one we can quote.
| Project | When | The job | Delivered |
|---|---|---|---|
| Game4Ukraine, Stamford Bridge | 5 Aug 2023 | Charity match for United24, captained by Andriy Shevchenko and Oleksandr Zinchenko, broadcast live on Sky. Raw footage only, so the job was speed. | First video and photos to the client's editors as the players walked out, almost everything in their hands by the time the cup was presented: over 300 edited photos and more than 150 GB of footage. Wikipedia's entry for the match credits us by name. |
| Corporate Sports Leagues | 2025 | Pilot season of a corporate basketball league over four tournament days: Amazon, Google, BCG and J.P. Morgan. | Three cameras on the court, team portraits, raw footage the same evening for stats, highlight reels within three days. The pilot has since turned into four separate bookings. |
| Fury Energy x Chelsea FC | 2026 | Campaign content at Stamford Bridge and the training ground: an influencer stadium tour, player films and content with ambassador Mido. | Ten videos from the first project, first deliverables within a week. Fury came back for a live fan event at the stadium. |
| Kodansha, Blue Lock with Dominic Solanke | May 2026 | London production partner for Story Arc, Los Angeles, at a Premier League training ground confirmed 48 hours before the shoot. | Eight crew accredited in under two hours, wrap ahead of schedule, grade back to LA within 48 hours. Over 170,000 views in two weeks. |
| Parimatch x Chelsea FC x Leicester City | Behind the scenes of the advertising campaign, on the pitch and around it. | A behind-the-scenes film of the shoot. | |
| Paul Pogba for Brut | A long interview in Manchester on his career, the hard stretches in it and what comes next. | A 7-minute interview film. |
How a match day runs
Fast sports content comes from a plan the crew has used before. These are the four parts we fix with every client ahead of the day.
Who can go where: pitchside, tunnel, dressing room, press room. Some stadiums allow one camera only, so the plan is built around what that person can hold.
Fury x Chelsea: one videographer inside Stamford Bridge
One wide for the play, one tight on the ball, one roaming for the bench and the crowd. Three is the usual number on a court or a pitch.
CSL: three cameras on every game
Footage and photos leave the venue during the event, so your editors or press team can work before the final whistle.
Game4Ukraine: first files as the players walked out
Highlights inside 7 working days as standard, faster when it is planned: a same-day highlight or a rush edit in 48 hours.
CSL: highlight reels within three days
What it costs
Raw footage is included on all match work. Tournaments and leagues that run over several days are built from day rates and quoted as one figure. Football has its own football price page with the same figures.
£1,400
A league game, a charity match, a school final
£2,900
Club content, sponsor days, cup matches
£3,400
Charity games, press days, big fixtures
£12,500
Clubs and leagues filming every week
Prices are "from". A same-day recap of up to 60 seconds is £400 on top, a rush edit in 48 hours is £400, and vertical cutdowns are £150 each. Travel outside London is calculated by us and included in your quote, so there is nothing to add later. £5 million public liability insurance, held separately by each of our lead operators. VAT will be added where applicable.
Athletes on camera
Athletes are used to cameras, which makes them easy to film and quick to spot when they slip into press mode. The time is rarely ours: a club, an agent or a training schedule sets the window, and it can shrink on the day. For Kodansha's Blue Lock film a four-hour plan with Dominic Solanke became about 90 minutes, and the set was lit and both cameras built before he walked in.
"The video came out looking fantastic."
Kodansha, on the Blue Lock film with Dominic Solanke
Longer athlete projects are on athlete video production.


Photos from our sports work
Corporate Sports Leagues basketball and Fury Energy's days at Stamford Bridge. More on our event photography page.







FAQ
At We Stream a single match with one operator and a highlight film starts at £1,400. A match with interviews and two operators is £2,900, a match with a photographer, a videographer and a same-day PR gallery is £3,400, and a 10-match season retainer starts at £12,500. Raw footage is included. VAT will be added where applicable.
Usually three: one wide for the play, one tight on the ball and one roaming for the bench and the crowd. At Corporate Sports Leagues we ran three cameras on every game. Where a stadium allows only one camera, we plan the day around that.
Yes, if it is planned. At Game4Ukraine the first video and photos reached the client's editors as the players walked out, and by the time the cup was presented they had almost everything: over 300 edited photos and more than 150 GB of footage.
Inside 7 working days as standard. A same-day recap of up to 60 seconds costs £400, and a rush edit within 48 hours is £400. For Corporate Sports Leagues the highlight reels were delivered within three days.
Yes. Football includes Game4Ukraine at Stamford Bridge and campaign work with Chelsea FC and Leicester City; basketball includes a full pilot season of Corporate Sports Leagues. Football clubs and matches also have their own pages on our site.
Yes. We were Story Arc's London production partner for Kodansha's Blue Lock film with Dominic Solanke, and filmed Fury Energy's campaign with Chelsea FC. Both had short windows with the players, so the set was ready before they arrived.
Yes, on all match work. Many clubs and organisers use it for match analysis, statistics or their own edits, as Corporate Sports Leagues did on the evening of each game.
Yes. Tournaments and leagues are built from our day rates and quoted as one figure. Corporate Sports Leagues ran over four tournament days with the same three-camera setup each day.
Next
Send us the date, the venue, the access you have and what the footage is for. A quote and a camera plan come back within 24 hours.
Football clubs: see football videography and football prices.
Page by Violetta Coretnic, producer and co-founder at We Stream. First published , updated .
We Stream Ltd · London · No. 17207516
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