British broadcast regulations are famously unforgiving on audio levels, colour balance, and rights management. We built our workflows to satisfy those benchmarks, then exported them wholesale to continental venues like Feira Internacional de Lisboa and Fira Barcelona. Every camera records in 10-bit 4:2:2, every lav-mic gets a dual-system backup, and every clip is logged with metadata that your in-house editors can search in two clicks. That means the same content you push to Instagram can be slipped into a BBC-compliant press reel or a 16-foot LED wall at ICE Barcelona without costly re-grading. Clients routinely tell us the footage we deliver from video production in Lisbon “just drops into timeline” - no colour-matching gymnastics, no “can you fix that hiss?” emails at 2 a.m.
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