Brand and campaign video runs from £4,500 to £10,000 and above, including pre-production, production, post-production and full structure. Launch event coverage starts from £2,500 for a single camera operator with edit; teams of two or more with photo, video, same-day delivery and multiple outputs start from £3,000 per day. Social and short-form packages start from £2,000. Interview-led content runs £2,000-£7,500 per shoot day.

Campaign and brand videos from concept through delivery. Product and skincare series - twelve branded videos for Sunday Riley, shot around a live photoshoot. Launch event coverage with fast-turnaround delivery. Influencer content in Get Ready With Me and product-in-use formats. Street and outdoor campaigns - AMI Paris's London store launch across digital billboards and buses. Behind-the-scenes content from shoots and activations.

By treating it as a pre-production commitment rather than a post-production achievement. Music licensed before filming, brand assets in the editor's hands before the crew travels, edit structure agreed in advance. For the Kris Jenner event at Claridge's, photos and video were delivered the same day for global media distribution and social release. For the John Richmond fashion show, filming wrapped at 11pm and the final edit was with the client by 5am.

Yes, if format decisions are made before the shoot rather than after. For Sunday Riley, consistent grading meant footage shot around a live photoshoot still served social, e-commerce and press without reshooting. For the Lunesi Get Ready With Me campaign with Gine Margrethe, the editor had a near-complete cut before filming wrapped and content was delivered the same evening.

By having everything ready before the talent arrives. On shoots like the Tommy Hilfiger launch with Shawn Mendes and Pamela Anderson, the filming window is fixed and often shorter than planned. The crew call is early, two camera builds are ready, wardrobe checks happen first, and PR requirements around approved angles are confirmed before the shoot day - the setup absorbs the talent's schedule, not the other way round.

The colourist works from a brief agreed before footage is delivered. On the Lunesi series - shot across multiple cameras and lenses - the colourist matched every shot back to true white per the brief so the whole series sat together as one consistent look. Oversaturated grading that misrepresents a formula's finish creates returns - the grade serves the product first.

Soft, directional light is the base - it shows skin texture accurately, renders formulas correctly, and holds across a day with multiple models. On fashion and beauty shoots we bring in a dedicated gaffer, since lighting carries most of the load on this kind of work. The plan is set before the shoot day, not on the morning of.

Pre-production consultation, two rounds of revisions, and materials stored for two months post-delivery. Public liability insurance to £10 million is standard – the cover that allows access to Harrods, Claridge's and high-profile private venues. Same-day delivery is available when briefed in advance, priced to reflect the additional resource.

Yes - we've assembled crews for London productions at forty-eight hours' notice. Established relationships with crew, rental houses and post-production partners are part of every production we run. Short-notice shoots carry a premium reflecting compressed logistics; send the details and we'll confirm availability and a clear quote within twenty-four hours.

Sunday Riley, Lancôme, Tommy Hilfiger, Priyanka Chopra × Max Factor, Rebecca Vallance × Nicky Hilton at Harrods, AMI Paris, Amina Muaddi, Rouje, and Kris Jenner at Claridge's with same-day delivery for global media.