iGaming event videography that earns the booth back
High noise, inconsistent lighting, tight stand space, strict data protection, and a three-day window to justify a booth that costs €50,000 at minimum. We Stream is a London video and photo production company (We Stream Ltd, founded in 2022 by Violetta Coretnic and Vitalii Vakulchuk) that films exhibition stands and events for iGaming brands. We've filmed iGaming exhibitions for four years - ICE London, SBC Summit Lisbon, SiGMA Malta, SiGMA Roma - and know what content performs once the event closes.
Event coverage
Not a wide shot of the booth. The moments that made the stand.
Not a complete client list - nine documented case studies across stand activations, brand constraints and delivery windows. Want more? See the full portfolio →
The logistics
Six things every exhibition floor throws at a crew
Same-day delivery, when it matters
Roughly 45% of LinkedIn content is consumed by manager level or above. Brands posting during the event reach that audience while it's still running. Turnaround runs 2 to 48 hours depending on the brief, priced as a premium service rather than included by default.
Audio is difficult on the floor
Neighbouring stands, PA announcements and crowd noise make clean interview audio nearly impossible without the right kit. We bring wireless lapel mics and manage sound properly, or we don't film the interview.
Lighting is inconsistent
Mixed natural light, harsh overheads, and coloured LED walls bleeding in from competing stands. We bring portable lighting that works in tight spaces and adapts to whatever the venue throws at us.
Stand space is limited
A six-person crew doesn't work in a 3×3m space. We scale the crew to the space and the deliverables - a two-person team at BitPace ICE London produced a full highlight video and photo gallery.
Data protection and privacy
Some B2B clients require that visitor faces, hands and identifiable details never appear on camera. That means focusing on team, product and atmosphere instead - we've delivered effective content within those rules repeatedly.
Documentation vs storytelling
Most event videos show what happened at the stand. The better ones use the activation as a vehicle to explain why someone should care about the brand - that's the difference we build every edit around.
What we deliver
Five outputs from one exhibition booking
Highlight videos
60 to 90 seconds of stand presence and brand positioning, delivered within a week, cut for LinkedIn, your site and pitch decks.
Platform-specific cuts
Vertical for Instagram and TikTok, horizontal for LinkedIn and YouTube - planned into the shoot, not cropped after.
Same-day photography
Edited, branded images delivered continuously through the event for live posting. Priced separately as a premium.
Interview content
On-stand interviews, lit and recorded properly despite exhibition conditions - for social and sales material after the event.
BTS and team content
The version of coverage that shows who your team is - more effective than polished brand footage for recruitment and partnerships.
Photography
Nine stands, same-day, every time
Major events we cover
If you're exhibiting here, we've worked the venue
ICE Barcelona
Fira de Barcelona, Gran Via. The largest iGaming event globally, now in Barcelona - venue layout, security logistics, and where the light works.
ICE 2026 Barcelona breakdown →IGB Live!
ExCeL London. London-based iGaming exhibition - venue logistics and floor dynamics we already understand.
IGB Live! 2026 coverage →SBC Summit Lisbon
Lisbon Congress Centre. Multi-day conference, covered repeatedly across multiple clients.
SBC Summit Lisbon coverage →SiGMA
Malta, Roma, South America and other locations. Same-day delivery, multi-platform outputs.
SiGMA Roma coverage →Pricing
Priced on the specifics, not a day rate
Most stands book a window of two to four hours a day, not full days, so the show packages are priced that way. Days, hours on the stand, crew and deliverables decide the quote.
Hours on a show day are consecutive; two separate windows on one day are priced as a half day. Interviews on the stand are filmed inside the booked hours, and each interview clip is edited at £150. Rush and same-day work is planned before the shoot, because it means holding an editor available rather than adding one afterwards. Travel outside London is calculated by us and included in your quote, so there is nothing to add later, and we fly our own crew to Barcelona, Lisbon, Rome and Malta rather than sourcing a local team. Filming and editing are priced separately, so you are quoted on what you are actually commissioning. VAT will be added where applicable.